After rooted in tradition for several decades, I started to search for a way to let the ancient calligraphic art breathe with contemporary air. I am not willing to follow the roads trod by predecessors, whether those roads are correct or not. I try to use multi-layer instead of single-layer, to use dense compositions instead of uniform layouts, to use repetitive and stacking, and even to introduce colors and other new ways to create calligraphy to induce resonance from the viewers, just like abstract art.